Wednesday, November 11, 2009

Bajazzo: Harlequin Galaxy (1999)


In 1978 Berlin music students came together with the guitarist and composer Jürgen Heckel to implement shared musical ambitions into reality. Just like the word jazz is hidden in the band's name rather was intended from the outset and the musical concept - jazz combined with modern influences and purist without restriction. Although the compositions initially were strongly influenced by the virtuoso jazz-rock excursions of relevant variables such as Weather Report, John Mclaughlin, Herbie Hancock and others, it was quite the sign of a strong musical diversity. Within a short time clown became popular on the tip of the club and festival band of regional music scene. In 1991 the third chapter in the history the band began. With the two percussionists Topo Gioia and Micah Yoke the band now stands a good team ahead polyrhythmic finishing touches. The octet presents itself matured, the band of bands timeless, in the broadest sense, however, the jazz harmonies and clear themes. The music remains evident, and it is challenging without being boring.

Ron Haynes: Journeyman (2009)


Journeyman showcases Ron Haynes' versatility with jazz/funk, hiphop, latin and rock, as well as his talent in producing and arranging.

Ron Haynes - Journeyman (2009)
01. Conversations (3:54)
02. Jam Out (3:17)
03. Don't Hate Me (3:13)
04. Entrada (3:19)
05. Full Moon (3:57)
06. Walking (3:57)
07. Stepper's Groove (4:36)
08. So Sexy (2:47)
09. Klubanger (6:14)
10. Having A Party (3:09)
11. Mean Machine (3:57)
12. Gospel Truth (4:30)
Buy at CD Baby
Journeyman (RS) / Journeyman (MU)

John Scofield: Groove Elation (1995)


John Scofield has continued to grow and evolve year by year. This 1995 set is quite blues-oriented, sometimes boppish and fairly laid-back, almost sounding like a Jimmy Smith or Groove Holmes date from the 1960s. Larry Goldings (who doubles occasionally on piano) is almost as significant in the ensembles as the leader/guitarist, and has become the most important arrival on organ since Joey DeFrancesco and Barbara Dennerlein. Many of the tunes (all Scofield originals) use parade-like rhythms propelled by Idris Muhammad and Dennis Irwin (particularly the eccentric "Peculiar" and "Groove Elation"), and the interplay between the two lead voices is quite appealing. Scofield is quite unselfish as far as taking solo space goes (he clearly enjoys the light funky grooves set by Goldings), and the results are quite appealing.
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Groove Elation (RS) / Groove Elation (HF) @ 320K

Tuesday, November 10, 2009

Michal Urbaniak: Ecstasy (1978) / Serenade for the City (1981)


Once Poland's most promising import in the jazz-rock 1970s, Michal Urbaniak's chief value in retrospect was as a fellow traveler of Jean-Luc Ponty, a fluid advocate of the electric violin, the lower-pitched violectra, and the lyricon (the first popular, if now largely underutilized wind synthesizer). Like many Eastern European jazzmen, he would incorporate elements of Polish folk music into his jazz pursuits, and his other heroes range from the inevitable Miles Davis to Polish classicist Witold Lutoslawski. His electric violin was often filtered with a gauze of electronic modifying devices, and on occasion, he could come up with an attractively memorable composition like "Satin Lady."
Urbaniak began playing the violin at age six, followed by studies on the soprano and then tenor saxophones. His interests in jazz developed chronologically from Dixieland to swing to bop as he grew up, and he studied at the Academy of Music in Warsaw while working in various Polish jazz bands and playing classical violin. In 1965, he formed his own band in Scandinavia with singer Urszula Dudziak (later his wife), returning to Poland in 1969 to found Constellation, which included pianist Adam Makowicz. Having won a scholarship to the Berklee School upon being voted Best Soloist at the 1971 Montreux Jazz Festival, Urbaniak made the U.S. his home in 1973. He soon formed a popular jazz-rock group called Fusion, recording for Columbia and Arista in a Mahavishnu Orchestra/Ponty fashion, with Dudziak adding darting, slippery scat vocals. This group lasted until 1977, and Urbaniak's profile would never be as high again, although he performed with Larry Coryell in 1982-83, led the new electric group Urbanator in the 1990s, and has performed and recorded in other styles ranging from bop to free jazz.

Branford Marsalis Trio: The Dark Keys (1996)


Dark Keys is Branford Marsalis' first major solo album since taking a leave from recording to be the musical director of The Tonight Show in 1993. Instead of following through with the hip-hop inclinations of Buckshot LeFonque, Marsalis has returned to traditional jazz, yet this is far from standard bop. Marsalis pushes at the borders of post-bop, adding elements of hip-hop and rock & roll, making for an adventurous and exciting listen.
Dark Keys (RS) / Dark Keys (HF) @ 320K

Chick Corea: Rendezvous in New York (2003) [2 cd]


One of Chick Corea's most ambitious projects was the recording of almost 60 hours of music with nine different groups over a three-week run at the Blue Note in December 2001; it must have been a challenge to choose the dozen performances for this two-CD set. The first disc begins with scat singer par excellence Bobby McFerrin joining the pianist to scat his way through three selections, including a stunning medley of an excerpt from Rodrigo's "Concierto de Aranjuez" and Corea's "Spain." Bassist Miroslav Vitous and ageless drummer Roy Haynes provide the pulse to his extended work "Matrix." Corea's well-crafted tribute to Bud Powell, with Terence Blanchard and Joshua Redman in the front line, combines two of Powell's greatest works, "Glass Enclosure" and "Tempus Fugit." But Corea is at his most lyrical when old friend Gary Burton joins him to revisit the pianist's masterpiece, the shimmering "Crystal Silence." The second disc is also full of great music, though disc one clearly gets the edge, with the possible exception of the virtuoso duo piano interpretation with Gonzalo Rubalcaba of the same medley performed with McFerrin on the first CD. It is safe to say that no fan of Chick Corea will be disappointed with this wide-ranging compilation of live music, and itis also a great starting point for those not familiar with his voluminous works. Highly recommended.
Rendezvous (RS) / Rendezvous (HF) vbr

Wynton Marsalis: Christmas Jazz Jam (2009)


Wynton Marsalis is back with Christmas Jazz Jam, his first holiday album in 20 years. Marsalis is partnering with Target ® to exclusively release this holiday essential currently available on iTunes and in stores nationwide on November 1st.
The Pulitzer Prize and Grammy® Award-winning musician and composer is joined by his septet for his 78th recording as they breathe new life into Christmas classics. Rooted in the spirit of New Orleans and the gospel church, these new arrangements of holiday standards are drenched with down-home soul and joyous swing. Marsalis’s trumpet is joined by Don Vappie on banjo and guitar; Wycliffe Gordon on trombone and tuba; Vincent Gardner on trombone; Victor Goines, Wessell Anderson, Walter Blanding and Paul Nedzela on reed instruments; a rhythm section comprised of Dan Nimmer, Herlin Riley and Reginald Veal with the vocals of Roberta Gumbel joining the band on “Mary Had a Baby” and “O Little Town of Bethlehem”.
Christmas Jazz Jam brings the American art of jazz improvisation to traditional songs loved worldwide. It provides a great opportunity to discover and enjoy contemporary jazz.
Christmas (RS) / Christmas (MU) vbr