Showing posts with label Boney James. Show all posts
Showing posts with label Boney James. Show all posts

Sunday, July 18, 2010

Paul Brown & Friends: White Sand (2007)

One of the leading Contemporary Jazz guitarists/producers in the world, Paul Brown makes his stunning debut on Peak Records celebrating his intense musical foundation with an elite group of friends. These `friends" include Al Jarreau, Boney James, Bobby Caldwell, Lina, Euge Groove, Rick Braun, Jeff Lorber, Jesse J and David Benoit. Brown has been creating distinctive, "hummable" tracks for years for other artists and has a keen instinct for knowing what his fans want to hear. On "White Sands", his third album as a solo artist, he has created some immediately identifiable tracks which are destined to be come instant crowd pleasers. A two time Grammy award winner, Brown was also named the "most played" artist in the 2006 year end charts for Radio and Records with his #1 track, "Winelight".
Tracklist:
1. White Sand (Jessy J) 4:21
2. The Rhythm Method (Paul Brown) 4:00
3. Makes Me Feel So Good (Paul Brown) 4:06
4. Ol' Skoolin' (Paul Brown) 4:25
5. Mercy, Mercy, Mercy (Paul Brown) 4:18
6. R 'n' B Bump (David Benoit) 4:27
7. I Say A Little Prayer (Paul Brown) 3:37
8. More Or Less Paul (Paul Brown) 4:39
9. For What It's Worth (Paul Brown) 3:36
10. Mr. Cool (Rick Braun) 4:09
White Sand
Hotfile / Depositfiles @ 320K

Tuesday, June 1, 2010

Paul Brown: Up Front (2004)

Known in the music industry as the "Babyface of Smooth Jazz" due to his enormous success as a top-ranked producer/composer/arranger/engineer for some of contemporary jazz's most recognized talent, Paul Brown steps "Up Front" with his debut for GRP Records. The Grammy award-winning producer, who has had over 38 Number One hits on the smooth jazz charts offers his solo perspective with special guests Rick Braun, Boney James, Chuck Loeb, Jeff Lorber, and Peter White. Additional production from Jeff Carruthers, Jerry Hey, and many others support the style-guru's interpretations that listeners have come to appreciate.
Brown's vocals and smooth jazz guitar offer listeners a winning combination of original songs and great covers that have style, control, that excellent smooth jazz pitch, and a wonderful sense of rhythm. With "Wes Coast Swing," you'll hear Brown with Jeff Lorber on vibraphone playing a breezy blend of shimmery vibes/keyboards and swinging guitar. Brown changes the mood with "My Funny Valentine," and offers a beautiful duet with Peter White, who's playing nylon-string guitar over a percolating Latinesque backbeat.
"Phat City," one of two songs co-written with Jeff Carruthers, gives you a soulful, head bobbing, multi-hued feeling. This song features the dynamic Boney James on saxophone doing what he does best. But the writers do a 360 degree turn with their radio hit "24/7," that features the cool muted trumpet of Rick Braun, and more than one reason to head to the dancefloor. "Dear Ndugu," is a quiet ballad and obvious tribute to the great drummer and educator Ndugu Chancler.
The set closes with the Van Morrison hit "Moondance," and Paul Brown gives it that same enduring smooth jazz essence, with right-on vocals and superb guitar magic. With Up Front, Paul Brown gives listeners 12 excellent reasons to add this to their contemporary jazz collection. — Paula Edelstein, All Music Guide
Tracklist:
01. Wes' Coast Swing (4:30)
02. Angel (3:51)
03. Moment by Moment (4:32)
04. Don't Let Me Be Lonely Tonight (2:55)
05. My Funny Valentine (4:12)
06. Phat City (4:47)
07. Sweet Sweet Love (4:34)
08. Ain't No Sunshine (3:06)
09. Chill Out (3:53)
10. 24/7 (4:28)
11. Dear Ndugu (3:39)
12. Moondance (3:22)
Up Front
Rapidshare / Hotfile @ 320K

Monday, May 3, 2010

Paul Brown: The City (2005)

The City opens up in with the funky and sensuous "Cosmic Monkey" featuring Jeffrey Osbourne's slinky overdubbed harmonies. "Hello Again" is Wes Montgomery-breezy soul samba. Next up is "Side Steppin'"s high-spirited blast of '80s-era disco jazz. "The City"'s dreamy blend of Boney James' soulful tenor saxophone, shivery keyboards, boogaloo congas, bluesy guitar and cognac-smooth jazz vocal follows.
"Las Vegas" is an exuberant congress of dancing guitar licks, Michael Paulo's throaty sax and a bouncing hip-hop swing beat. "Old Friends" is a quiet fire ballad caressed by Brown and James' tender interplay. "Winelight"'s blend of Brown's Grover Washington, Jr.-channeling solos and tasty club beats is complemented by the silky-smooth party starter "Jumpin' Uptown." "Food For the Moon"'s cool 'n funky hip-hop jazz groove flows into a faithful/playful voice box-juiced version of Johnny "Guitar" Watson's "Reel Mutha For Ya." Fittingly, the album closes with the sublime Brown/James chillout duet "The City (Instrumental)."
The City proves beyond a doubt that Paul Brown is one of the most exciting and important guitarists in contemporary jazz.

Thursday, October 29, 2009

Ricky Lawson: Ricky Lawson & Friends (2001)


Grammy Award winning writer and former member of Yellow Jackets, Ricky Lawson, hailed as Modern Drummer's Best R&B Drummer of the Year (1999), with the help of his 'friends' conjures up a unique and engaging blend of R&B, Pop and Jazz quaranteed to satisfy a wide range of musical appetites. The list of participants is impressive: Phil Collins, the Emotions, Vesta Williams, Robben Ford, Al Jarreau, Sheila E., George Duke, James Ingram, and Donald Fagen are among the people who join Lawson on this CD.
Ricky (RS) / Ricky (HF) @ 320K

Thursday, September 10, 2009

Boney James: Send One Your Love (2009) - FLAC


Send One Your Love, a 10-track album of seductive love songs from sax icon Boney James, is the ultimate "musical valentine." It includes new James originals as well as covers from Stevie Wonder, Barry White, the Stylistics and more. This sensuous collection includes nine instrumental tracks plus a stunning cover of James Taylor's "Don't Let Me Be Lonely Tonight". On this track, Boney introduces the world to the incredible new R&B vocalist Quinn. Having previously done background vocals for the likes of Kelly Price and K-Ci & JoJo, Quinn was working as an Atlanta-based session singer. "I started asking friends if they knew a young singer who should be a star," Boney says. "I got Quinn's MP3 in an e-mail. The next day I flew him to L.A. and cut the track in two takes!"