Showing posts with label Nathan East. Show all posts
Showing posts with label Nathan East. Show all posts

Tuesday, September 28, 2010

Fourplay: Let's Touch the Sky (2010)

Sometimes you have to shake things up, push a little farther, reach a little higher - even when you're a contemporary jazz foursome that's been operating at the top of its collective game for two decades. After twenty years and a dozen albums, in an industry that has undergone sweeping transformations in the past decade, Fourplay knows that the only thing that's certain, in music or any other business, is change. The latest proof of that axiom is the new face in their lineup - that of guitarist Chuck Loeb, who makes his compelling debut with the quartet on Let's Touch The Sky.
Loeb completes the four-man crew that also includes the band's founding members: keyboardist Bob James, bassist/vocalist Nathan East and drummer/percussionist Harvey Mason. Let's Touch The Sky also includes stirring performances by guest vocalists Anita Baker and Ruben Studdard. The infusion of new blood into the Fourplay lineup creates an opportunity to bring an even newer level of energy and inspiration into a band that is already known for taking chances and pushing the limits of contemporary jazz. "All four of us have been in this business long enough to know that there's always pressure to compromise, and we don't want to do that," says James. "We don't want to end up in the middle of the pack. We always aim to be leaders, and take the music to another level and raise the standards higher. I think the music on this new record, thanks in large part to Chuck's early contributions - and to the ongoing team spirit of the band as a whole - is very much a reflection of that philosophy."
Loeb, who openly admits to being a fan of Fourplay since their earliest recordings, sees his new membership status as the opportunity of a lifetime. "I want to be a part of the legacy they've built, going all the way back to their first recording and right up to their most recent one," he says. "There's been an incredible level of quality in the musicianship, the writing, the whole sonic palette that they're famous for. I'm excited to be a part of the next step in the evolution of all that." That sense of romanticism combined with optimism defining the project makes the rhythmic and exotic title track the fitting opener to the set. Written by James, the song sits atop a comfortable Latin groove and showcases the interplay between the keyboardist and his new band mate on acoustic guitar. The follow-up track, Loeb's driving and intense "3rd Degree" is a reference to his role as the third guitarist in the Fourplay saga (the original lineup included Lee Ritenour, who was later replaced by Larry Carlton in the late `90s). The track is built on a syncopated rhythm that allows plenty of room for everyone on hand to stretch out and demonstrate their virtuosity.
Guest vocalists Ruben Studdard and Anita Baker appear on the soulful "Love TKO" and the dreamlike "You're My Thrill," respectively. Studdard was recruited by East, after the two had appeared together in a live performance in Washington, DC. "They were filming a television special," East recalls. "There was a break to reload the cameras, and I just started playing the bass line of `Love TKO.' Ruben stepped up to the microphone to sing, and everyone in the room just stopped. I knew right then that we needed to have him sing this song on a Fourplay record, and when we asked him, he was very much up for it. The whole thing just came together so easily."
Mason, who has held down the groove for Fourplay since the very beginning, says time has done nothing to dull the edge. The band continues to explore new ways to reach for the next level of musicianship and creativity. "Let's Touch The Sky is the perfect title for where we are right now," he says. "In some ways, bringing someone new into the fold has made us a new band. It opens up new opportunities and new potential, and we want to see how high we can take it."
Tracklist:
1. Let's Touch The Sky
2. 3rd Degree
3. More Than A Dream
4. Pineapple Getaway
5. I'll Still Be Lovin' You
6. Gentle Giant (for Hank)
7. A Night In Rio
8. Love TKO
9. Above and Beyond
10. Golden Faders
11. You're My Thrill
Personnel:
Bob James (keyboards and programing)
Nathan East (bass)
Chuck Loeb (guitar)
Harvey Mason (drums and percussion)
Guest vocalists: Anita Baker, Ruben Studdard
Hotfile / Uploading @ 256-320K

Saturday, May 29, 2010

Alphonse Mouzon: The Sky Is The Limit (1996)

This is a perfect mixture of smooth contemporary jazz & soulful funk w. Richard Elliot-sax, Ronnie Laws-sax, Larry Coryell-gtr, Ray Parker Jr.-gtr + 1985
Tracks 9-12 are previously released on THE 11TH HOUSE (LP).
Personnel: Alphonse Mouzon (electric piano, keyboards, synthesizer, drums, percussion); Paul Jackson, Jr., Ray Parker, Jr., Torsten de Winkel (guitar, electric guitar); Larry Coryell (electric guitar); Richard Elliot (lyre, tenor saxophone, lyricon); Chris Schneider, Ernie Watts, Christian Schneider, Ronnie Laws (tenor saxophone); Terumasa Hino (cornet, flugelhorn); Geoff Stradling (electric piano, keyboards, synthesizer); Mike Mandel (electric piano); John Lee, Kai Eckhardt-Karpeh, Nathan East (electric bass); Julia Waters, Maxine Willard Waters (background vocals).
Tracklist:
1. Why Don't You Break It
2. Jean-Pierre
3. Do You Want to Dance?
4. Making Love With You
5. Come and See What I've Got
6. Sky Is the Limit, The
7. Starting All over Again
8. Rock & Roll Waltz, The
9. Don't Break My Funk
10. Old Friends
11. Night for Love
12. One More Time
The Sky Is The Limit
Rapidshare / Hotfile @ 320K

Monday, November 9, 2009

Jeff Lorber: It's a Fact (1982)


With a smooth sound bringing together elements of funk, R&B, rock, and electric jazz, keyboardist Jeff Lorber helped pioneer a genre of fusion later formatted under such names as NAC and contemporary jazz. Born in Philadelphia on November 4, 1952, he began playing the piano at the age of four, and as a teen performed with a variety of local R&B bands. Lorber's infatuation with jazz began during his stay at the Berklee College of Music, and after forming the Jeff Lorber Fusion he issued the group's self-titled debut in 1977. During the first half of the following decade, the band became one of the most popular jazz acts of the period, touring nonstop and even scoring a Best R&B Instrumental Grammy nomination for the radio hit "Pacific Coast Highway." Released in 1986, Private Passion was Lorber's most successful outing yet, but at this commercial peak he stopped recording, instead turning to production and session work. He did not issue his first proper solo LP until 1991's Worth Waiting For, remaining both a prolific performer and producer for the rest of the decade. He recorded for Verve and Zebra in the '90s before moving over to Narada in the 2000s and releasing successful smooth jazz albums like 2003's Philly Style and 2005's Flipside. He released He Had a Hat on Blue Note in 2007.
It's a Fact - Part 1 - Part 2 (RS) / Part 1 - Part 2 (HF) lossless

Thursday, October 29, 2009

Ricky Lawson: Ricky Lawson & Friends (2001)


Grammy Award winning writer and former member of Yellow Jackets, Ricky Lawson, hailed as Modern Drummer's Best R&B Drummer of the Year (1999), with the help of his 'friends' conjures up a unique and engaging blend of R&B, Pop and Jazz quaranteed to satisfy a wide range of musical appetites. The list of participants is impressive: Phil Collins, the Emotions, Vesta Williams, Robben Ford, Al Jarreau, Sheila E., George Duke, James Ingram, and Donald Fagen are among the people who join Lawson on this CD.
Ricky (RS) / Ricky (HF) @ 320K

Monday, September 7, 2009

Bob James - Angels of Shanghai (2008)


This project pairs smooth jazz keyboardist/composer Bob James and his Fourplay bandmates bassist Nathan East (who sings on the ballad "Endless Time") and drummer Harvey Mason, with guitarist Jack Lee and the Angels of Shanghai, who are masters of the er-hu, a two-string violin, the lute-like pipa, a harp-zither called a guzheng, and the dizi bamboo flute. James' sympathetic pianisms best blend with the Sinocentric sonorities and syncopations on the hip-notic "Gulangyu Island" the Asian and French-inflected "Melodia: A Quiet Place for Two" and "Angela with Purple Bamboo," a Silk Road update of James' beloved theme from the TV show Taxi. "By combining the spirit of American jazz with the beauty of traditional Chinese instruments by absorbing and learning from this rich Eastern cultural heritage,"" James writes in the liner notes, "I have sought to explore ways that we would communicate openly and freely; improvising and sharing our discoveries." --Eugene Holley, Jr.