After a two-decade long hiatus, Herbie Hancock's Headhunters returned to action in 1998 with their funk groove pretty much intact, allowing for some technological and stylistic updating. The core of the band — the too-long-neglected Bennie Maupin (saxes, bass clarinet), Paul Jackson (bass), Bill Summers (percussion), and the group's second drummer Mike Clark — still has the complex funk telepathic interplay down pat, though occasionally the rhythms are simplified for contemporary audiences. Hancock himself only appears on four tracks, where he tries to comp and stomp out on latter-day digital instruments (alas, he doesn't quite generate the same super funky feeling that he once could on analog clavinets, Fender Rhodes pianos, and ARP synths). Billy Childs fills the keyboard chair in more genteel fashion on the other six tracks, with occasional help from Patrice Rushen, Mark Goodman, and Darrell Smith. The main hangup here is that the revived Headhunters didn't come up with much memorable material, the strongest tracks being the back-to-1974 retro workout "Funk Hunter," and the rhythmically tricky "Kwanzaa," and "Watch Your Back," which features the obligatory rap honoring elder statesmen of music (strange how reverential the nominally rebellious younger set often can be).
The Return / Part 1 / Part 2 (RS) Part 1 / Part 2 (MU) @ 320K
Showing posts with label Headhunters. Show all posts
Showing posts with label Headhunters. Show all posts
Thursday, October 22, 2009
Wednesday, October 21, 2009
Headhunters: Evolution Revolution (2003)
Three decades ago, Herbie Hancock stretched the limits of blending jazz with rock, R&B/funk, and a bit of avant-garde on the groundbreaking million selling album Headhunters. Members of that group have reassembled for this stunning 16-track updated brew where they add heavy doses of straight-ahead be-bop ("Take No Prizzonerz," "Woody Shaw"), blues ("Everything," "Fonkyfried"), African music ("Yekola," "Evolution Revolution"), and even smooth jazz ("Headhunting," "Martell on the Rocks") to the '70s hybrid. The keyboard player who originally put percussionist Bill Summers, drummer Mike Clark, and bassist Paul Jackson together wasn't available so the trio did what any 21st century scientists of sound would do, they got Hancock clones--an electric version (Ronald Markham) and an acoustic version (Victor Atkins). The Hancock stamp is all over the fusion tunes, especially "Stick It," featuring an electrified trumpet part from Nicholas Payton that sounds like another Hancock alum, Eddie Henderson. Other guests with Hancock ties include guitarist Wah-Wah Watson, original Headhunters reed man Bennie Maupin, and drummer Harvey Mason. Mason went on to become an original member of the group Fourplay, and Summers, the only musician on every track on this album, went on to help form Los Hombres Calientes. --Mark Ruffin
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