Showing posts with label Don Grolnick. Show all posts
Showing posts with label Don Grolnick. Show all posts

Monday, October 4, 2010

Joe Beck & David Sanborn (1975)

This cool Fusion classic was recorded in 1975 and features players which are stalwarts of the genre such as : Joe Beck (Guitar), David Sanborn (Alto Sax), Don Grolnick (Keyboards), Steve Khan (Guitar), Chris Parker (Drums) and Ray Mantilla (Percussion). Also included are two bonus tracks : 'Ain't it Good' and 'Spoon's Theme'. (Amazon)
Popular, crossover smash session linking two instrumental pop stars for a 1975 album. Beck played in a slick, light style, while Sanborn, although restrained, would occasionally slip in a hot blues lick or a fluid alto solo. It has been reissued on CD. (AMG)
Tracklist:
01. Star Fire 04:34
02. Cactus 04:58
03. Texas Ann 07:56
04. Red Eye 07:14
05. Cafe Black Rose 04:26
06. Brothers And Others 06:27
07. Ain't It Good 07:31
08. Spoon's Theme 06:56
Beck & Sanborn
HotfileDepositfiles @ 320K

Tuesday, August 10, 2010

Steps Ahead: Step by Step (1980)

This killer group consists of Michael Brecker (ts), Steve Gadd (d), Eddie Gomez (b) Don Grolnick (p), and Mike Mainieri (vibes). One of three releases available from Japan only, this excellent recording was recorded in the studio under the name Steps.
Tracklist
01. Uncle Bob
02. Kyoto
03. Belle
04. Bullet Train
05. Six Persimmons
Depositfiles / Rapidshare @ 320K

Monday, October 19, 2009

Bob Berg: Short Stories (1987)


Bob Berg's third release as a leader (released on a Japanese Denon CD) was his first fairly commercial date. Doubling on tenor and soprano but not sounding too distinctive on either, Berg performs eight funky group originals with a sextet also including keyboardist Don Grolnick, guitarist Mike Stern, bassist Will Lee, drummer Peter Erskine and Robby Kilgore on additional keyboards; altoist David Sanborn drops by to add some heat to "Kalimba." The R&B-ish music is very much of the period and sounds a bit dated now, but has its moments of interest due to the high musicianship of the players.
See in comments (flac, scans)

Saturday, October 10, 2009

Don Grolnick: Weaver of Dreams (1990)

Don Grolnick was a busy session pianist/keyboardist who played on many kinds of dates, including jazz fusion and pop. But for a brief period in the late 1980s and early '90s, he detoured into playing post-bop. Weaver of Dreams was the first of his two CDs for Blue Note, featuring an all-star septet including the Brecker Brothers, Bob Mintzer, Dave Holland, Peter Erskine, and Barry Rogers. His intricate opener, "Nothing Personal," suggests the influence of George Russell, with its rapid-fire lines and unpredictable accents on trumpet and bass clarinet, along with the composer's tasty solo. There's a bit of reverb added to the unified trumpet and tenor sax in his "Or Come Fog," which touches briefly on its source, "Come Rain or Come Shine." Mintzer's wild bass clarinet is a highlight of the brisk setting of the standard "I Want to Be Happy," while the foot-patting treatment of "Weaver of Dreams" is a feature for the rhythm section alone. Weaver of Dreams lapsed from print, only to briefly reappear in a short-lived two-CD reissue. This is easily the finest recording led by Don Grolnick, who passed away in 1996.
Musicians:
Don Grolnick : piano
Michael Brecker : tenor saxophone
Randy Brecker : trumpet
Bob Mintzer : bass clarinet
Barry Rogers : trombone
Dave Holland : bass
Peter Erskine : drums
Buy at Amazon.com
Weaver of Dreams

Tuesday, October 6, 2009

David Sanborn: Heart to Heart (1978) mp3 @ 320K


By the time of his third album, altoist David Sanborn's popularity and influence was growing month by month. Most of these numbers feature Sanborn with an enlarged rhythm section (with such studio vets as guitarists Hugh McCracken and David Spinozza, Don Grolnick or Richard Tee on keyboards, vibraphonist Mike Mainieri, bassist Herb Bushler and drummer Steve Gadd). However, "Short Visit" is something special, for Sanborn was joined by what was mostly the Gil Evans Orchestra; Evans even wrote the chart. Otherwise, this is a typical Sanborn release with plenty of danceable rhythms and the focus on his passionate alto.