Mark Feldman, Uri Caine, Greg Cohen, Joey Baron: Secrets (2009)

Mark Feldman, Uri Caine, Greg Cohen and Joey Baron have all played integral parts in John Zorn's many explorations of Jewish improvised music. All four have won acclaim for the distinctness and flexibility of their sounds, but here they work in a setting that defines the meaning of traditional.

With a group such as this, it would be impossible to explore any theme, new or old, without bringing flares of insight. Secrets finds them interpreting a variety of niggunim, the often wordless prayer melodies sung by sects of Hasidic Jews, and they mix a jazz sensibility with slight, indefinable touches of the avant-garde to create a quartet that speaks many languages in one voice.

A distinct warmth and color is brought to a variety of songs by the group, from Caine's bright, swinging keys on the opening "Lubavitcher Nigun," to Cohen's gentle, adroit bass on "Kel Adon." As the instrument most commonly found in traditional Klezmer, Feldman's violin sings with unparalleled distinctness. Plaintive at times, alternately tinged with darkness and comedy at others, his sound is almost unmatched. Meanwhile, Joey Baron's understated percussion gives shape to the atmosphere with whisks of brushes and cymbals.

Most of the album focuses on slower, more ruminative melodies, allowing the performers space and time for inflection and reflection. "Z'Chor Dovon," in particular, is full of transcendent beauty. It opens with a heartfelt melody on violin, backed by a lone piano for one recitation before the entrance of bass and drums. Feldman brings a mournful touch here, which is balanced out by a kind of hopeful humor in Caine's keys.

"Chabad Nigun," "Satmar Rikud," and "Z'Chor Hashem" are joyous masterpieces of up-tempo jazz, with Feldman and Caine testing the lines with modernistic chords and occasional, dissonant bow tweaks. But at the faster paces, these songs also attain a certain joyous folk dance quality that seem to pull gently but persistently at the toes. It's music with roots in many places, from the wedding hall to the jazz club. Baron's solos here are distinctly jazzy, but he peppers the toms with an unrestrained ebullience that speaks beyond setting.

For the closing "Moditzer Nigun," Cohen's nodding bass paves a hypnotic path for Caine's graceful keyboard steps. Deeply moving, filled with whispers of the blues, there is a tone of respectful nostalgia here that shines light on the best sides of tradition. The duet epitomizes the sound of a group that brings rich, emotional playing no matter where or how they play. Those enchanted by the beauty of Secrets will, no doubt, be asking Tzadik for more.

Tracklist:

01 - Lubavitcher Nigun

02 - Avinu Malkenu

03 - Chabad Nigun

04 - Z'chor Dovon

05 - Satmar Rikud

06 - Bobover Nigun
07 - Kel Adon
08 - Z'chor Hashem
09 - Moditzer Nigun
Secrets
Part 1 - Part 2 (RS) / Part 1 - Part 2 (HF) flac

[By-request] James Carter & John Medeski: Heaven on Earth (2009)

Saxophonist James Carter and organist John Medeski (of the pioneering jam-band, Medeski, Martin & Wood) lead a supergroup featuring Christian McBride (bass), Adam Rogers (guitar) and Joey Baron (drums). Together they carve out a groove that captures the buzz and vitality of jam-jazz at its most exhilerating. Recorded live at the Blue Note in New York, the group throws down the funk on Django Reinhardt's "Diminishing," Larry Young's "Heaven On Earth," Leo Parker's "Blue Leo," and the songbook standard, "Street Of Dreams."

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Heaven on Earth - Part 1 - Part 2 (RS) / Part 1 - Part 2 (HF) lossless

Marc Johnson: Shade of Jade (2005)

Marc Johnson doesn't take a bass solo on Shades of Jade until "Snow," track six of the 10-song album. Until then, the emphasis stays on tenor saxophonist Joe Lovano, guitarist John Scofield and pianist Eliane Elias, the last serving as the album's coproducer (with Manfred Eicher) and author or coauthor of half the album. In fact, Elias could almost be the de facto leader of the session.

But regardless of whose name comes first on the cover, everyone matches wits on "Ton Sur Ton," with tenor and guitar harmonizing deftly on the melody. The front end of the disc finds the group in a gentle mood that sometimes gets too languid (the title track) but often brings out the delicacy of the setting ("Apareceu"). "Blue Nefertiti" gets the second part of its name from a sideways quote of a certain Wayne Shorter tune.

Beginning with "Snow," Johnson asserts himself more, following that track with the solo "Since You Asked" exemplifying his vast melodic skills. In the closing "Don't Ask of Me," a drone accompanies a bowed solo where his impeccable tone could easily be mistaken for a cello. In between, "Raise" gives the group a medium hard-bop groove, and drummer Joey Baron, up to this point filling out the sound with subtle nuances, gets a chance to light a fire under the band, particularly Lovano.

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Shade of Jade (RS) / Shade of Jade (HF) @ 320K