Showing posts with label Mark Whitfield. Show all posts
Showing posts with label Mark Whitfield. Show all posts

Monday, October 26, 2009

Jimmy Smith: Angel Eyes (1996)


Who would have suspected that Jimmy Smith would put out something this great this late in his career? This is music so cool and laid-back that it takes a few listens to realize how deep and complex it is. This is fine music by a mature artist. ~ Hank Schwab
A follow-up to the mostly heated performances of Damn!, this CD features organist Jimmy Smith sticking to ballads and slower material. There is a sextet rendition of "Stolen Moments" (with both Roy Hargrove and Nicholas Payton on trumpets); duets with both trumpeters, bassist Christian McBride, and guitarist Mark Whitfield; a trio; a quartet; and solo organ renditions of "Oh Bess, Oh Where's My Bess?" and "What a Wonderful World." Despite the constant changing of instrumentation, the results (although pleasant) are uneventful and somewhat predictable. Good for late-night background music rather than for close listening. ~ Scott Yanow, AMG
Personnel:
Jimmy Smith -Organ
Roy Hargrove -Trumpet and Flugelhorn - 1,2,5
Nicholas Payton -Trumpet - 1,7
Mark Whitfield -Guitar - 1,3,5,8
Christian McBride -Double Bass - 1,6
Gregory Hutchinson -Drums - 1,5,8
Buy at Amazon.com
Angel Etes (RS) / Angel Eyes (HF) @ 320K

Sunday, October 11, 2009

Various Artists: To Grover with Love (2002)

Arguably, only David Sanborn has had as much influence on the current crop of smooth-jazz sax stars as Grover Washington Jr., and on this tribute album, we get ample proof of Washington's impact. It's a testament to his talent that Gerald Albright, Dave Koz, and Everette Harp, playing three different horns--alto, soprano, and tenor, respectively--all sound exactly like the G-Man. His sway over the three younger players is so dominant on many of their own recordings, particularly Albright's, that the licks that are nods to Washington are indistinguishable from the originals. All of the instrumental tracks on this 14-song set play like Grover Washington Jr.'s greatest hits, with outstanding arrangements by the producer, keyboardist Jason Miles. On a couple of numbers, the arrangements are stronger than the performances. Tracks that work best are Regina Belle, Steve Cole, and George Duke doing "Just the Two of Us"; Herbie Mann working out on "Mister Magic"; and the Brecker Brothers teaming up with Joe Sample and Joey DeFrancesco on "Loran's Dance." Ronnie Laws and Richard Elliot, two players not influenced by Washington, also offer interesting performances. --Mark Ruffin

Wednesday, September 9, 2009

Mark Whitfield - Songs Of Wonder (2009)


Mark Whitfield graduated from Boston's prestigious Berklee College of Music, the world's foremost institute for the study of Jazz and modern American music, in the Spring of 1987 having studied composition and arranging as well as all styles of guitar performance. Upon graduation, he returned to his native New York to embark on a career as a jazz guitarist that afforded him the opportunity to collaborate with many legendary artists including Dizzy Gillespie, Art Blakey, Clark Terry, Jimmy Smith, Carmen McCrae, Herbie Hancock, Quincy Jones, Jack McDuff, Betty Carter, Shirley Horn, Ray Charles, Gladys Knight, Burt Bacharach, Joe Williams, Wynton Marsalis, Bradford Marsalis, Stanley Turrentine and his greatest teacher and mentor George Benson.
Along the way, the New York Times dubbed Whitfield "The Best Young Guitarist in the Business" and in September of 1990 Warner Bros. released his solo debut, "The Marksman". The success of this release has led to a recording career that has produced 14 solo projects to date and a myriad of collaborative efforts with some of the most important artists in recent years; Sting, D'Angelo, Mary J. Blige, Chaka Khan, John Mayer, Jill Scott, Roy Hargrove, Diana Krall, Lauryn Hill, Sy Smith and Chris Botti.
In September of 2005, Mark Whitfield accepted the invitation to join the faculty at his alma mater, teaming up with Joe Lovano, Ralph Peterson, Danilo Perez, and Terry Lynn Carrington as "Artists in Residence" at the Berklee School.
While maintaining a teaching schedule that requires his presence on campus 1 day a week for 14 weeks/per semester, and a touring schedule that includes at least 100 concert dates/per year with trumpeter Chris Botti, Whitfield still manages to remain active as a solo artist and 2008-2009 will see the release of his latest solo effort; a Stevie Wonder tribute entitled "Songs Of Wonder" and 2 collaborative projects with long time friends Christian McBride and Nicholas Payton.