Ingrid Jensen: Vernal Fields (1994)

Although trumpeter Ingrid Jensen has a wide range and a potentially fiery style, she holds a great deal in reserve on her debut recording, letting one peek at her emotional intensity now and then but mostly making lyrical statements. Her supporting cast (altoist Steve Wilson, George Garzone on tenor, pianist Bruce Barth, bassist Larry Grenadier, and drummer Lenny White) is quite impressive and adds a great deal to the CD without taking the spotlight away from the leader. Ingrid Jensen sounds particularly strong on "Marsh Blues" and the standards "Ev'rytime We Say Goodbye," "I Love You," and an ironic "By Myself," but all nine selections have their moments. The music is basically advanced hard bop, with Jensen (when she is playing open) sounding like a logical successor to Freddie Hubbard and Woody Shaw while resembling her teacher, Art Farmer, a bit when utilizing a mute. This is an impressive beginning to what should be an important career.

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Vernal Fields (RS) / Vernal Fields (DF) / Vernal Fields (HF)

Mike Mainieri: An American Diary - The Dreaming (1999)

The Dreamings is the second volume of Mike Mainieri's An American Diary project. The vibraphonist and leader appears primarily with saxophonist George Garzone, bassist Marc Johnson, and drummer Peter Erskine. But thanks to the rotating cast of guest musicians, each track is a wholly new experience, distinguished by unexpected timbres and colors. Especially noteworthy are George Garzone's clarinet on "One Night in Paradise," Erik Friedlander's cello on "Planting Rice Is Never Fun," Simon Seven's didgeridoo on "The Dreamings," and Arto Tuncboyan's sazabo on "Dear, My Friend (The Gift)." Mainieri's goal was to explore his musical upbringing in an American immigrant family, as well as his later experiences as a traveling musician. His first American Diary record included music by composers as far apart as Aaron Copland and Frank Zappa. This diary entry has an even broader scope, including folk material from the Philippines and Yemen, as well as original pieces inspired by Australian aborigines, gypsies, and the Navajo and Apache tribes. Mainieri's use of the term "American" is therefore expansive, and subtly provocative. But the session never comes across as stilted political correctness or contrived world music. It swings. And in the process, it communicates with the listener in a genuine, unaffected way.

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The Dreaming (RS) / The Dreaming (MU)