Showing posts with label Chris Botti. Show all posts
Showing posts with label Chris Botti. Show all posts

Tuesday, August 31, 2010

Arturo Sandoval: Time for Love (2010)

Arturo Sandoval is a true maestro: despite his reputation as a bop-based trumpeter who plays jazz inspired by his native Cuban tradition, he has delved deeply into tango, swing, and electric jazz in his long career. He is also a fine pianist and percussionist. That said, the notion of him recording a collection of classical pieces, standards, and ballads with a trio and a string orchestra as backing is more than a bit of a surprise. Nonetheless, that's what A Time for Love basically is. Sandoval claims that this is the realization of a 20-year dream. He wanted it bad enough to make and release the record himself, but fate stepped in. Pianist Shelly Berg heard the demos and brought him to Concord's Greg Field, who in turn brought in Grammy-winning arranger Jorge Calandrelli. They co-produced while Calandrelli arranged eight of the nine string charts -- Berg arranged the other and brought in his trio to back up Sandoval.
The classical readings include Faure's "Aprés Un Reve" and "Pavane," Ravel's "Pavane Pour une Infante Defunte" (with Chris Botti on second trumpet), and Astor Piazzolla's "Oblivion" (with Monica Mancini on vocals). All reveal the emotional depth of Sandoval's playing, not just his technical acumen. While his fiery jazz playing can emote, it is often overshadowed by his expertise. Here, it is softness and tenderness without sentimentality that speak to the listener. The standards such as "I Loves You Porgy," the shimmering swing in "Speak Low," and the deep romance in the Johnny Mandel-Johnny Mercer classic "Emily" seemingly come from the vocal jazz tradition. Yet in them one can readily hear what Sandoval claims are his two greatest inspirations for this album: trumpeter Bobby Hackett's playing with the Jackie Gleason Orchestra, and the album Clifford Brown with Strings. The musical economy of those influences is reflected in the emotional weight and complex lyrical dimension carried in each note by Sandoval; the arrangements serve to heighten that revelation rather than overtake it. There are two very satisfying bonus tracks included as well, "The Windmills of Your Mind," a stellar duet with Berg, and Cole Porter's "Every Time We Say Goodbye," with Kenny Barron guesting on piano. It's tempting to call A Time for Love Sandoval's masterpiece, but that is based on the sharp contrast with virtually everything else in his catalog; only time will reveal whether or not it is. For now, what is certain is that it is one of them. ~ Thom Jurek
Tracklist:
01. Apres Un Reve 5:08
02. Emily 4:26
03. Speak Low 4:36
04. Estate 3:58
05. A Time For Love 5:04
06. Pavane Pour Une Infante Defunte (feat. Chris Botti) 5:12
07. I Loves You Porgy 5:15
08. Oblivion (How To Say Goodbye) 5:24
09. Pavane 4:50
10. Smile 3:59
11. All The Way 4:02
12. Smoke Gets In Your Eyes 4:21
13. Windmills Of Your Mind 5:32
14. Every Time We Say Goodbye 5:54
Personnel:
Arturo Sandoval (vocals, trumpet, flugelhorn);
Monica Mancini (vocals);
Chris Botti (trumpet);
David Ewart, Songa Lee, Robin Olson, Searmi Park, Tiffany Yi Hu, Phillip Levy, Tamara Hatwan, RazdanKuyumijian, Kevin Connolly, Natalie Leggett, Darius Campo, Liane Mautner, Charlie Bisharat (violin);
Darren McCann, Keith Greene, Harry Shirinian, Alma Fernandez (viola);
Trevor Handy, Vanessa Freebairn-Smith, Dennis Karmazin, Christine Ermacoff (cello);
Kenny Barron, Shelly Berg (piano);
Gregg Field (drums, percussion).
Time for Love
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Wednesday, May 26, 2010

Jeff Lorber and others: Shades of Soul (2004)

In the '70s, the Portland, Oregon, group Pleasure may have been ahead of its time with its jazzy funk. During the same time, in the same town, the Jeff Lorber Fusion was breaking ground with its own funky brand of jazz. In the '90s, the old friends hooked up for this recording, which sounds as fresh as if they'd recorded it yesterday. Lorber fans will love tracks featuring then-rising stars like trumpeter Chris Botti and the late saxophonist Art Porter, but it's the timeless funk of the boys from Pleasure that dominate here with red-hot grooves on "Enjoy Yourself," "We Got To Live Together," the title track, and Roy Ayers's "Hey Uh." Lorber contributes mightily with "Get Wid It," a dynamic example of his early keyboard style, but guitarist Marlon McLain and bassist Nathaniel Phillips, with the help of vocalist Terry Stanton of Hidden Beach Unwrapped, truly funk things up. --Mark Ruffin
Shades of Soul
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Thursday, September 10, 2009

Jimmy Sommers - Time Stands Still (2009)


First take fourteen timeless tunes. Then marry them up with some of the greatest contemporary jazz performers around today. What do you get? ‘Time Stands Still’ the surprising yet wonderful new release from urban jazz saxophonist Jimmy Sommers. It’s an album that represents quite a musical departure for Sommers who’s previous CD, ‘Sunset Collective’, flirted outrageously around the margins of where contemporary jazz meets R & B, Latin and dance. The sensational outcomes that emanated from this stellar 2007 collection makes the wow factor of ‘Time Stands Still’ that much more acute and leaves the listener to marvel at the breathtaking versatility which Sommers has now added to his undisputed creativity.
In fact ‘Time Stands Still’ is a joy from beginning to end and, in the company of Chris Botti, Rick Braun, Paul Jackson Jr., Eric Benet and Bill Cunliffe, Sommers delivers some truly magical moments. Co-produced by Sommers and the legendary Jeff Carruthers ‘Time Stands Still’ also benefits from the arrangements of the Grammy nominated Cunliffe who as writer and pianist is rapidly making a name for himself in the parallel worlds of jazz and classical music.