Showing posts with label Phil Perry. Show all posts
Showing posts with label Phil Perry. Show all posts

Wednesday, September 15, 2010

George Duke: Night After Night (1989)

George Duke says: "It took a few years before I was ready to record another CD. With the mediocre success of George Duke, I needed time to think about my musical direction. Also, I had many A&R meetings with Bob Krasnow about the direction for the project. I would try a few things, send them to him for his reaction, and so on and so forth. I had never been in that position before. By the way, that goes on in the biz everyday, but not to me!! I went along with the program since I knew that if this record didn't do well, that it was curtains for me at Elektra."
Tracklist:
01. Miss Wiggle
02. Children of the Night
03. Love Ballad
04. Guilty
05. Same Ole Love
06. Say Hello
07. You Are the Only One in My Life
08. Brazilian Coffee
09. This Lovin'
10. Mystery Eyes
11. 560 SL
12. Fuzzzion
13. Rise Up
Personnel:
George Duke - synclavier,TX 816,acoustic piano,D550,Super Jupiter,Mini Moog,Castlebar clavinet, lead and background vocals
Feddie"Ready" Washington - bass solos exept "Fuzzzion"
Byron Miller - bass on "Guilty"
Paul Jackson,Jr. - guitar
Stanley Clarke - bass on "Fuzzzion"
John Robinson - drums
Airto Moreira - percussion on "Fuzzzion"
Jerry Hey - trumpet
Gary Grant - trumpet
Bill Reichenbach - trombone
Larry Williams - tenor sax
Marc Russo - alto sax on "Guilty"
Rayford Griffin - drums on "560 SL","Fuzzzion"
Michael Landau - guitar on "560 SL"
Alphonso Johnson - fretless bass on "Fuzzzion"
Jean-Luc Ponty - violin on "Fuzzzion"
Michael Sembello - guitar on "Fuzzzion"
Vocals: Alexandra Brown, Lynn Davis, Howard Hewett, James Ingram, Josie James, Marcy Levy, Phil Perry, Carl Carwell, Joey Diggs, Johnny Gill, Natalie Jackson, Keith John, Jeffrey Osborne
Night After Night
Hotfile / Uploading flac

Friday, October 2, 2009

Melba Moore & Phil Perry: The Gift of Love (2009) mp3 @ 320K



The Gift of Love pairs R&B legend and Tony Award-winning actress Melba Moore with veteran R&B star Phil Perry. Co-produced by Chris "Big Dog" Davis, Preston Glass, David Nathan, and Dwayne Palmer and released on Shanachie, the set contains 11 upbeat, uplifting, and inspirational songs that run the gamut from contemporary gospel to adult contemporary. These duets are structured in an old-school soul style, but the sonic presentation is up to the minute for radio. There are some solid moments on this set, including the opening cut, "Optimistic," a kind of anthem for entire album; the classic Broadway ballad "I Believe," which is a solo for Moore; the shimmering "Sadie," with saxophone work from Kim Waters; and the title track that closes the album. This is message music that engages the listener musically as much as it does inspirationally.

Thursday, September 17, 2009

Phil Perry: The Classic Love Songs (2006)


Shanachie Records is one smooth jazz-oriented label that smartly realizes that classic soul and urban music is an important complement to the R&B-influenced instrumental music that makes up the genre. In recent years, they've released some successful cover albums of modern soul songs, and earlier in 2006, released Sweet Classic Soul by Maysa. Nobody knows about the crossroads of smooth jazz and old-school soul better than Perry, the master of falsetto romance whose résumé as a featured or background vocalist includes Lee Ritenour, George Duke, Anita Baker, Rod Stewart, and Peabo Bryson. Perry's solo albums have mostly featured great original tracks, but his biggest solo hit back in 1991 was a cover of Aretha Franklin's "Call Me." So what could be more engaging than having his soothing voice breeze through tasteful arrangements of songs everyone knows? He's silky and whimsical on gems popularized by everyone from Marvin Gaye (dig those dreamy backing vocals on "I Want You") and Eddie Holman to the Chi-Lites and the Stylistics. Producer Chris "Big Dog" Davis ensures through his unique arrangements that these are far from glorified elevator music. Both Lionel Richie's "Hello" and the Spinners' "I'll Be Around" are recast as trippy, atmospheric romances that allow Perry to add his own unique stamp to what has been heard a million times. "Hello" in particular is a unique creative triumph, with jazzy flute and film score lush orchestra. Covers sometimes seem to an easy way to create and market a project, but Perry can be proud that he's done something very unique with the material he's chosen here.

Phil Perry: The Heart of the Man (1991)


A former member of the Montclairs, Phil Perry later teamed with Richard Sanlin in a duo that had a short stay at Capitol in 1980. Their first single stalled at number 81 and the album fizzled. They continued as songwriters and freelance producers. Perry issued his own LP, The Heart of the Man, for Capitol in 1991. It too fared dismally. Perry remained busy as a session vocalist, as well as a solo recording artist, releasing albums like 1994's Pure Pleasure, 1998's One Heart, One Love, 2000's My Book of Love, 2001's Magic, 2006's Classic Love Songs, and 2007's Mighty Love.

Wednesday, September 16, 2009

Phil Perry: One Heart, One Love (1998)


"I've worked hard all day," the fifth song opines, "I just wanna relax/Take my shoes off—kick my feet up/Put on an old Marvin Gaye track…" A unwise antecedent to invoke, for over the course of ten pleasantly Peabo'd urban soul slices, Mr. Perry shoots to the vocal stratosphere from his own backyard armed with one neat trick — the women singers who tag-grab his glissandos like stage-two rockets after he falls away from them — for an apogee, of, perhaps, the shoulder blade of the supine mountain range that is Marvin. Marvin will never move again. Marvin can not hold Mr. Perry in the hollow of his hand. - Andrew Hamlin, AllMusic

Tuesday, September 15, 2009

Phil Perry: Pure Pleasure (1994)


Personnel: Phil Perry, Emanuel Officer (vocals); Georg Wadenius, Ray Fuller (guitar); D. Willensky (alto saxophone); Jerry Hey (flugelhorn); Brad Cole, Claude Gaudette (keyboards); Wayne Lindsey (keyboards, synthesizers, drums); Barry J. Eastmond, John Howcott (keyboards, programming); Eric Rehl (keyboards, synthesizers, programming); Anthony Jackson, Freddie Washington (bass); Buddy Williams, Ricky Lawson (drums); Steve Thornton, Mitchell A. Sanchez (percussion); Reed Vertelney (programming); Lillian Tynes Perry, Kevin Dorsey, Roy Galloway (background vocals).

Additional personnel: Bobby Lyle, Jeff Lorber, George Duke, Abraham Laboriel, Lynn Davis, Keith Thomas, Russ Freeman, James Ingram, Everette Harp, Vesta Williams, Mike Campbell, Paul Jackson, Jr., David Benoit.