Showing posts with label John Pizzarelli. Show all posts
Showing posts with label John Pizzarelli. Show all posts

Saturday, April 24, 2010

John Pizzarelli: Rockin in Rhythm - A Tribute to Duke Ellington (2010)

Singer/guitarist John Pizzarelli, a master in the art of reinventing jazz classics, celebrates the music of Duke Ellington, undeniably one of the most prominent musical icons of the 20th century. Rockin' In Rhythm: A Tribute to Duke Ellington is Pizzarelli's first ever Ellington recording.
Pizzarelli was still a very young musician when Ellington died in May 1974, but thanks to his father - veteran guitarist Bucky Pizzarelli - he would eventually learn much about jazz's most important composer. "Duke's music was an integral part of any set my father played," says Pizzarelli. "I heard a tremendous amount of his music listening to my Dad and then through performing with him. There are some many beautiful melodies and so many discoveries to be made on any given night."
Like Ellington, Pizzarelli crafts his performances to spotlight the talents of his band members. In addition to a solo track ("Just Squeeze Me"), four songs on Rockin' In Rhythm showcases his quartet - pianist Larry Fuller, bassist/brother Martin Pizzarelli and drummer Tony Tedesco - and seven tracks include the Swing Seven horns with arrangements by Don Sebesky.
Rockin' In Rhythm combines the enduring work of Duke Ellington with John Pizzarelli's incredible ability to reinterpret the Great American Songbook. Pizzarelli says, "Don Sebesky surprised us all at the session when, after the `keeper' take of `C Jam,' he said that we should `thank Pizzarelli for getting us all together to play Duke Ellington.' Well, I am grateful that when I chose to salute such an American icon as Duke Ellington, I had such tremendous friends and associates to help realize my dream."

Wednesday, October 21, 2009

Don Sebesky: Joyful Noise - A Tribute to Duke Ellington (1999)


Joyful is for Don Sebesky aficionados more than fans of Ellington, a distinction that must be made because of the dissimilarity between the two composer-arrangers. Where Ellington emphasized harmonic complexity in his horn voicings, Sebesky condenses brass and reeds for greater thrust and momentum. And where Ellington strove for understated elegance and relatively seamless melodic and rhythmic transitions in his charts, Sebesky is something of a showoff, writing abrupt, dynamic shifts in mood and tempo, heavily accented to maximize the razzmatazz. Thus, such Ellington classics as "Mood Indigo," "Caravan," and "Satin Doll" are boldly interpreted in a more pastiche manner, and Billy Strayhorn's "Chelsea Bridge" sounds closer to Doc Severinsen than Duke Ellington. Sebesky, who won a Grammy for an arrangement on his 1998 Bill Evans tribute CD, I Remember Bill, clearly intends to provide something fresh--his greatest fidelity to Ellington is on the obscure "Warm Valley"--and he's recruited the personnel here to make it happen. More than half of the 10 songs reunite alto saxophonist Phil Woods with former mates Tom Harrell and Jim McNeely, with Ron Carter joining in on three of the cuts. Not surprisingly, one of those--a Sebesky-jolted "Creole Love Call"--is the record's highlight. --Britt Robson
Joyful Noise (RS) / Joyful Noise (MU) @ 320K