Joe Lovano Us Five: Folk Art (2009)

In his 57th year, the saxophonist, composer and bandleader Joe Lovano is something of a jazz absolute: consistent in quality but traversing schools, styles and formats in a way that argues the music has somewhere to go without accommodating pop. His 2009 Blue Note release, Folk Art, recorded with a new group he calls Us Five, only reinforces his reputation as the consummate jazzman, an explorer and historian in equal doses. Folk Art is centered in postbop but plays in and around the avant-garde, and it features elements that, on paper, might seem gimmicky, but in Lovano’s hands foster thrilling music.

A cross-generational quintet, Us Five features two drummers, Otis Brown II and Francisco Mela, and Lovano uses them to ramp up the intensity as well as multiply the options for exchange. (“It’s as if there are 20 different bands,” he told JT’s Geoffrey Himes.) Then there’s Lovano’s arsenal of texturally brazen woodwind oddities, including the taragato and aulochrome, and the fact that Folk Art is his first album featuring his original compositions exclusively. Those tunes, alternately burning (“Powerhouse”), loping (“Folk Art”), tender (“Song for Judi”) and askew (the Ornette homage “Ettenro”), brilliantly underscore the group’s sensibility—one of dynamic interaction and aesthetic versatility. E.H.

Tracklist:
1. Powerhouse 4:09
2. Folk Art 10:05
3. Wild Beauty 7:17
4. Us Five 8:09
5. Song For Judi 5:46
6. Drum Song 8:30
7. Dibango 6:44
8. Page 4 5:52
9. Ettenro 8:12
Personnel:
Joe Lovano - saxes
Esperanza Spalding - bass
James Weidman - piano
Francisco Mela - drums
Otis Brown III - drums
Folk Art
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Esperanza Spalding: Chamber Music Society (2010)

Centuries ago, long before the advent of radio or recording technology, chamber music was the music for the masses - the music in which people from nearly every segment of society could find meaning and relevance. A decade into the 21st century, Esperanza Spalding - the bassist, vocalist and composer who first appeared on the jazz scene in 2008 - takes a contemporary approach to this once universal form of entertainment with Chamber Music Society.

Backed by drummer Terri Lyne Carrington and pianist Leo Genovese - and inspired by the classical training of her younger years - Esperanza creates a modern chamber music group that combines the spontaneity and intrigue of improvisation with sweet and angular string trio arrangements. The result is a sound that weaves the innovative elements of jazz, folk and world music into the enduring foundations of classical music.

"So much of my early musical experience was spent playing chamber music on the violin, and it's a form of music that I've always loved," says Esperanza. "I was very inspired by a lot of classical music, and chamber music in particular. I'm intrigued by the concept of intimate works that can be played and experienced among friends in an intimate setting. So I decided to create my version of contemporary chamber music, and add one more voice to that rich history."

Chamber Music Society is a place where connoisseurs of classical music and jazz devotees - and fans of other musics as well - can find common ground. The recording offers a chamber music for modern times - one that brings together people of different perspectives and broadens their cultural experience, just as it did in an earlier age.

Esperanza first took the world by storm in 2008 with her self-titled debut recording that spent more than 70 weeks on the Billboard Contemporary Jazz Chart. Two years later, she continues to push the boundaries of jazz and explore the places where it intersects with other genres. Co-produced by Esperanza and Gil Goldstein, Chamber Music Society surrounds Esperanza with a diverse assembly of musicians. At the core are pianist Leo Genovese, drummer Terri Lyne Carrington and percussionist Quintino Cinalli. The string trio is comprised of violinist Entcho Todorov, violist Lois Martin, cellist David Eggar and Gretchen Parlato on voice. The great Milton Nascimento also makes a guest appearance on one track.

This is the work of a brilliant young musical talent who isn't afraid to challenge the limits of jazz and its relationship to other forms of musical expression. Chamber Music Society is the first of two current Esperanza projects. Radio Music Society, set for release in the spring of 2011, features an exciting new repertoire of funk, hip-hop, and rock elements fused into songs that are free from genre. "I'm confident that this music will touch people," she says of Chamber Music Society. "We all want to hear sincerity and originality in music, and anyone can recognize and appreciate when love and truth are transmitted through art. No matter what else has or hasn't been achieved on this recording, those things are definitely a part of this music. Those are the things I really want to deliver."

Tracklist

1. Little Fly 3:33

2. Knowledge Of Good And Evil 7:59

3. Really Very Small 2:44
4. Chacarera 6:40
5. Wild Is The Wind 5:37
6. Apple Blossom 6:02
7. As A Sprout 0:41
8. What A Friend 4:54
9. Winter Sun 6:48
10. Inútil Paisagem 4:38
11. Short And Sweet 5:52 \
Chamber Music Society
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John Blackwell Project: 4ever Jia (2010)

John Blackwell Project came together after the 2008 Buddy Rich Memorial Concert to create a stellar album with a truly unique and varied collection of innovative fusion tunes, the basic tracks for 4ever Jia were recorded at DrumChannel in Oxnard, California. The album's influences are drawn from Funk, Fusion and Jazz, something for everyone and some tunes that will have you singing in no time.

An incredible band consisting of four core talents: John (a world-class groove master and drummer with Prince, and many other top performers) Corey Bernhard (keys - you may have seen him on John's Master class Hudson DVD), Paul Pesco (guitar - Madonna, J-Lo, Hall & Oates, Mary J., Alicia Keyes and many others) and Will Lee (bass - everyone, and I mean everyone, but most know him from Dave Letterman). There are multiple guest musicians on the album including Charlie Singleton (Cameo), David Garfield, David Mann (Tower of Power), Luis Conte, Esperanza Spalding, Michael Landau and many others.

Tracklist:
01. Hyper-Formants (4:35)
02. Amazing (4:40)
03. Jeremiah's Sleepy Night (6:54)
04. No Ordinary Day (5:49)
05. Blackhouse (4:13)
06. Mind Of J (5:57)
07. You're The One (4:59)
08. Sexual Harassment (5:30)
09. Jada (5:10)
10. Jaiven (6:51)
11. You Asked For It (5:30)
Personnel:
John Blackwell - DRUMS
Paul Pesco - GUITAR
Corey Bernhard - KEYS
Will Lee - BASS
4ever Jia
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Mike Stern: Big Neighborhood (2009)

Mike Stern's music has always come from a colorful and diverse part of town - a place where numerous artistic styles converge to create a fresh sound that's rooted in jazz but refuses to adhere to rigid borders. Since his earliest recordings, this former bandmate of Miles Davis, Jaco Pastorius, Billy Cobham and other high-profile innovators has grafted elements of rock, blues, soul and more to his solid jazz foundations. On Stern's street, anybody who brings a sense of energy, eclecticism and passion to the craft of music is welcome to play.

Stern invites fans and newcomers alike into his rich and diverse little corner of the world with the release of Big Neighborhood. Aiding Stern in this latest chapter of his never-ending quest for the new and better groove is a long list of talented guests: guitarists Steve Vai and Eric Johnson; bassist-vocalists Esperanza Spalding and Richard Bona; jamband godfathers Medeski Martin & Wood; drummers Dave Weckl, Terri Lyne Carrington, Cindy Blackman and Lionel Cordew; bassists Chris Minh Doky and Lincoln Goines, and several others.

With a crew this large and diverse, the idea of the album title should be pretty clear, says Stern. "Music is like a big neighborhood - a place where anything and everything can happen," he explains. "You can find all kinds of things in a big neighborhood - all kinds of different people, all kinds of different ideas and perspectives, and of course, all kinds of different sounds."

Mike Stern's Big Neighborhood is an open community where everyone is welcome. Everyone has something worthwhile to say, and everyone is given plenty of room to say it. "The thing that really gets me going is listening to all these very different artists on this record interpret my songs," says Stern. "In the end, everything is unified by the mere fact that there's a lot of spirit and a lot of fun in the music. That's really the common thread. There's just that vibe that emerges when good musicians play their hearts out. Nothing else really matters as far as I'm concerned...I think anyone who likes any of these artists will really dig what they did on this record."

Buy at Amazon.com
Big Neighborhood (RS) / Big Neignborhood (MU)

Esperanza Spalding: Junjo (2006)

The debut recording by acoustic upright bassist and vocalist Esperanza Spalding, a native of Portland, OR, residing in Boston, MA, is an exercise in joy and freedom. Well rendered for such a very young musician, it's quite notable, considering the certainty of her concept and clarity of her vision. While steeped in contemporary jazz, there are Latin flavors, unabashed free moments, and some implied and direct swing. Further, it is an expression of her well-being, optimism, and future hope for her life in this music. Also in her peer group, pianist Aruan Ortiz and drummer Francisco Mela add a hundredfold to this music and establish themselves as leaders-to-be, and are quite capable partners for Spalding's wonderful sounds. The first piece, a take of the Jimmy Rowles evergreen "The Peacocks," lets you know something special is going on. Spalding's bass leads out with the probing piano of Ortiz as wordless vocals and a modal jam all precede the melody, followed by a free section. The imagination quotient of this interpretation is off the charts. "Mompouana" is a most impressive circular tune surrounding the sweetness and light of Spalding's voice in a 9/8 time signature, choppy piano motifs, upper to midrange drama, and thoughtful, intricate secondary lines. In their ultimate playful state, "Perazuán" and "Perazela" show Spalding's ability to scat, with Ortiz on the former and furiously alongside Mela on the latter track. The other covers are a darker-than-the-original rendition of Chick Corea's neo-bopper "Humpty Dumpty" and the personable, lighthearted "Loro," written by Egberto Gismonti. "Two Bad," with a feeling reminiscent of the standard "Alone Together," is a brittle, quirky, and unpredictable tune that is the only instrumental of the lot. Spalding sings no lyric content whatsoever; her style is all natural, sensual, and precious. Whether she is coerced to sing songs in the future is to be determined. For sure, she is an accomplished bassist, musician, and original thinker. Junjo is an auspicious beginning that should catch the ears of any lover of great music.
Junjo

Esperanza Spalding: Esperanza (2008) mp3 @ 320K

"Esperanza," bassist/vocalist/composer Esperanza Spalding's debut on Heads Up International, is set for worldwide release on May 20, 2008. Armed with uncanny instrumental chops, a siren voice that spans three languages, and composing and arranging skills that weave together the best elements of the old-school with the progressive, this 23-year-old has crafted a debut album that takes a completely fresh and refreshing approach to jazz by borrowing from the rich traditions of soul, pop, world music and so much more.
Esperanza is joined in the studio by a crew of A-list session players, including flamenco guitar virtuoso Niño Josele, percussionist Jamey Haddad, drummer Horacio "El Negro" Hernández, saxophonist Donald Harrison and several other seasoned talents - all of whom collectively serve as further evidence of the kind of creative energy and magnetism that she radiates.

Esperanza Spalding: Live at the Newport Jazz Festival (2009)

Hailed as a prodigy on the acoustic double bass within months of first touching the instrument as a 15-year-old, Esperanza Spalding has emerged as a fine jazz bassist, but has also distinguished herself playing blues, funk, hip-hop, pop fusion, and Brazilian and Afro-Cuban styles as well. Born in Portland, OR in 1984, Spalding was not well served by the public school system and soon dropped out of classes to be home schooled. Returning to the public school system at 15, she encountered her first acoustic bass (she had already been playing violin for several years) and immediately took to the instrument. Dropping out of school again, Spalding enrolled in classes at Portland State University as a 16-year-old, and earned her B.A. in just three years and was immediately hired as an instructor in the prestigious Berklee College of Music in Boston in the spring of 2005. After touring and playing with a whole host of artists, including Joe Lovano, Patti Austin, Michel Camilo, Charlie Haden, Regina Carter, Pat Metheny, Dave Samuels, and a host of others, in addition to heading her own jazz trio, Spalding recorded and released Junjo on the Barcelona-based AYVA imprint in 2006, following it with the simply named Esperanza on Heads Up Records in 2008.