Showing posts with label Terri Lyne Carrington. Show all posts
Showing posts with label Terri Lyne Carrington. Show all posts

Wednesday, August 18, 2010

Paul Bollenback: Brightness of Being (2006)

A modern jazz guitar master with reliably swinging liquid chops, a blues-filled sound, amazing technique, emotionally expressive style and eclectic approach coming from of a wide range of influences.
Tracklist:
01. Together (06:42)
02. Unchain My Heart (09:02)
03. Don't You Worry 'Bout a Thing (06:57)
04. Breathe (06:01)
05. You Don't Know Me (04:50)
06. A.M. Special (05:48)
07. El Desierto (06:41)
08. Dark Eyes of Floria Tosca, Pt. 1 (03:12)
09. Dark Eyes of Floria Tosca, Pt. 2 (05:32)
10. Dark Eyes of Floria Tosca, Pt. 3 (02:10)
11. Philadelphia (03:37)
12. Siberian Passages (07:38)
Personnel:
Paul Bollenback: guitars
David "Fathead" Newman: tenor saxophone (2,5)
Gary Thomas: tenor saxophone (1,3,6,8-10)
Tim Garland: soprano saxophone (4,7), tenor saxophone (1,3,12), bass clarinet (7)
James Genus: bass;
Terri-Lyne Carrington: drums (1,3,6,7,8-10,12)
Ari Honnig: drums (2,4,5,11)
Chris McNulty: voice (4,7,11,12)
Brightness of Being
Hotfile / Uploading @ 320K

Tuesday, August 17, 2010

Esperanza Spalding: Chamber Music Society (2010)

Centuries ago, long before the advent of radio or recording technology, chamber music was the music for the masses - the music in which people from nearly every segment of society could find meaning and relevance. A decade into the 21st century, Esperanza Spalding - the bassist, vocalist and composer who first appeared on the jazz scene in 2008 - takes a contemporary approach to this once universal form of entertainment with Chamber Music Society.
Backed by drummer Terri Lyne Carrington and pianist Leo Genovese - and inspired by the classical training of her younger years - Esperanza creates a modern chamber music group that combines the spontaneity and intrigue of improvisation with sweet and angular string trio arrangements. The result is a sound that weaves the innovative elements of jazz, folk and world music into the enduring foundations of classical music.
"So much of my early musical experience was spent playing chamber music on the violin, and it's a form of music that I've always loved," says Esperanza. "I was very inspired by a lot of classical music, and chamber music in particular. I'm intrigued by the concept of intimate works that can be played and experienced among friends in an intimate setting. So I decided to create my version of contemporary chamber music, and add one more voice to that rich history."
Chamber Music Society is a place where connoisseurs of classical music and jazz devotees - and fans of other musics as well - can find common ground. The recording offers a chamber music for modern times - one that brings together people of different perspectives and broadens their cultural experience, just as it did in an earlier age.
Esperanza first took the world by storm in 2008 with her self-titled debut recording that spent more than 70 weeks on the Billboard Contemporary Jazz Chart. Two years later, she continues to push the boundaries of jazz and explore the places where it intersects with other genres. Co-produced by Esperanza and Gil Goldstein, Chamber Music Society surrounds Esperanza with a diverse assembly of musicians. At the core are pianist Leo Genovese, drummer Terri Lyne Carrington and percussionist Quintino Cinalli. The string trio is comprised of violinist Entcho Todorov, violist Lois Martin, cellist David Eggar and Gretchen Parlato on voice. The great Milton Nascimento also makes a guest appearance on one track.
This is the work of a brilliant young musical talent who isn't afraid to challenge the limits of jazz and its relationship to other forms of musical expression. Chamber Music Society is the first of two current Esperanza projects. Radio Music Society, set for release in the spring of 2011, features an exciting new repertoire of funk, hip-hop, and rock elements fused into songs that are free from genre. "I'm confident that this music will touch people," she says of Chamber Music Society. "We all want to hear sincerity and originality in music, and anyone can recognize and appreciate when love and truth are transmitted through art. No matter what else has or hasn't been achieved on this recording, those things are definitely a part of this music. Those are the things I really want to deliver."
Tracklist
1. Little Fly 3:33
2. Knowledge Of Good And Evil 7:59
3. Really Very Small 2:44
4. Chacarera 6:40
5. Wild Is The Wind 5:37
6. Apple Blossom 6:02
7. As A Sprout 0:41
8. What A Friend 4:54
9. Winter Sun 6:48
10. Inútil Paisagem 4:38
11. Short And Sweet 5:52 \
Chamber Music Society
Hotfile / Uploading @ 234-320K

Monday, August 16, 2010

Terri Lyne Carrington: Jazz is a Spirit (2002)

In the male-dominated jazz genre, this veteran drummer has been happily accepted as one of the guys and has forged a strong touring career (Al Jarreau, David Sanborn) as she has, on her solo projects, pushed the improvisational and conceptual boundaries. This free-spirited recording emerges from the fun of bebop and traditional jazz balladry into the more challenging realm of tribal rhythms and global-mindedness a wacky journey to be sure, but true to her heart of wanderlust and her contention that, indeed, jazz can only be defined as a spirit. She opens with a weird, mystical ambience behind Cosby Show kid Malcolm Jamal Warner's spoken-word definition, then jams in a live setting with longtime associates like Herbie Hancock, Terence Blanchard, and Paul Bollenback (guitar) on tunes that range from the avant-garde ("Little Jump") to the smoky and romantic ("Samsara," a thoughtful tribute to Wayne Shorter). Throwing off the shackles, she does a long tribal drum roll piece and opens the door for a "Journey East From West" with Kevin Eubanks. "Journey of Now" combines the best of all worlds, with Wallace Roney's traditional trumpet, Jeff Richman's fusion guitar edges, and an irrepressible percussive tribalism. The remaining tracks are a balance between measured craziness and gentle tradition, with a bit of advice offered to Terri Lyne Carrington as she plays before the spoken words of Papa Jo Jones on "Mr. Jo Jones." Innovative yet sometimes maddening, this is above all else her truest heart.
Tracklist:
01. Jazz Is
02. Little Jump
03. The Corner
04. Lost Star
05. Samsara (for Wayne)
06. Journey Agent
07. Journey East from West
08. Journey of Now
09. Giggles
10. Middle Way
11. Princess
12. Witch Hunt
13. Mr. Jo Jones
14. Jazz is a Spirit
Personnel:
Terri Lyne Carrington - drums
Herbie Hancock - piano
Greg Kurstin - piano
Gary Thomas - saxophones
Wallace Roney - trumpet
Terence Blanchard - trumpet
Kevin Eubanks - guitar
Paul Bollenback - guitar
Jeff Richman - guitar
Danny Robinson - guitar
Bob Hurst - bass
Malcolm-Jamal Warner - bass & spoken word
Katisse Buckingham - soprano saxophone
Ed Barguiarena - percussion
Darryl “Munyungo” Jackson - percussion
Jazz Is a Spirit
Rapidshare / Uploading @ 320K

Friday, November 13, 2009

Everette Harp: First Love (2009)


On First Love, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent My Inspiration. Whereas on that album, he was still digging deeply into his own brand of funky jazz, he was also looking for something. His soloing on the album was sharper, brighter, and more complex, but his arrangements and production style were slick enough to get his jams on the radio. On First Love, it sounds like Harp found what he was seeking. In the liners, he mentions some of his heroes like John Coltrane and Dave Brubeck, and how his first hearing records like Soultrane and Time Out made him fall in love with the music. Produced by George Duke, this set is one of the most remarkable and thought-provoking recordings to come out of the contemporary jazz genre in ages. The meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on breaks by Terri Lyne Carrington, a beautiful bluesy, hard bop trumpet solo by Michael "Patches" Stewart, and Lenny Castro's hand percussion. Directing the band is Duke on Fender Rhodes with help from the exquisite if understated electric guitar work from Dwight Sills. The ballad "Before You Leave" follows suit with Carrington providing elegant brushwork. These are pretty basic straight-ahead numbers. This is not to suggest that there isn't some funky work here, too. Check Duke's "Soul Fries" with Genus on electric bass. The funkiness of the Rhodes is smokin' and the blues factor in Harp's playing with Stewart gets a solid groove going behind a tight, sophisticated arrangement. Duke contributes one more cut to the set, the killer Latin-ized fusion funk of "Departure." It's a midtempo ballad, but its knotty bridges and Genus' electric bass work turn it all inside out. The biggest surprise here, however, is in the beautifully restrained but intensely soulful reading of Coltrane's "Central Park West." Here is the place where Harp's mastery of the tenor horn is on full display with an abundance of warmth and depth. It is an absolutely gorgeous reading of the tune. Given the half-acoustic/half-electric division of the tracks here, the originals are easily the most sophisticated, confident, and masterfully played of Harp's career thus far, and the covers fit in seamlessly, making this his finest recording to date.
Buy at Amazon.com
First Love (RS) / First Love (MU)

Monday, November 2, 2009

Wayne Shorter: Alegria (2003)


Following the release of the critically acclaimed Footprints Live!, this CD is saxophonist/composer Wayne Shorter's first studio recording as a leader since the Grammy-winning 1994 release, High Life. Shorter is joined by pianists Danilo Perez and Brad Mehldau, bassist John Patitucci, drummers Terri Lyne Carrington and Brian Blade, and percussionist Alex Acuna. Backed by a superb woodwind and brass ensemble, this project offers a comprehensive and sophisticated presentation of Shorter's music, from the Andalusian airs on "Vendiendo Alegria" by Antonio Molina to a reincarnation of "Capricorn II" from his mid-'60s Miles Davis days. Shorter's soprano and tenor playing is his most expressive in years, and producer Robert Sadin (who worked on Herbie Hancock's Gershwin's World and Kathleen Battle's So Many Stars) has provided Shorter with his most poignant sonic setting on record. --Eugene Holley, Jr.
Alegria (RS) / Alegria (HF) @ 320K

Wednesday, October 21, 2009

Mike Stern: Big Neighborhood (2009)


Mike Stern's music has always come from a colorful and diverse part of town - a place where numerous artistic styles converge to create a fresh sound that's rooted in jazz but refuses to adhere to rigid borders. Since his earliest recordings, this former bandmate of Miles Davis, Jaco Pastorius, Billy Cobham and other high-profile innovators has grafted elements of rock, blues, soul and more to his solid jazz foundations. On Stern's street, anybody who brings a sense of energy, eclecticism and passion to the craft of music is welcome to play.
Stern invites fans and newcomers alike into his rich and diverse little corner of the world with the release of Big Neighborhood. Aiding Stern in this latest chapter of his never-ending quest for the new and better groove is a long list of talented guests: guitarists Steve Vai and Eric Johnson; bassist-vocalists Esperanza Spalding and Richard Bona; jamband godfathers Medeski Martin & Wood; drummers Dave Weckl, Terri Lyne Carrington, Cindy Blackman and Lionel Cordew; bassists Chris Minh Doky and Lincoln Goines, and several others.
With a crew this large and diverse, the idea of the album title should be pretty clear, says Stern. "Music is like a big neighborhood - a place where anything and everything can happen," he explains. "You can find all kinds of things in a big neighborhood - all kinds of different people, all kinds of different ideas and perspectives, and of course, all kinds of different sounds."
Mike Stern's Big Neighborhood is an open community where everyone is welcome. Everyone has something worthwhile to say, and everyone is given plenty of room to say it. "The thing that really gets me going is listening to all these very different artists on this record interpret my songs," says Stern. "In the end, everything is unified by the mere fact that there's a lot of spirit and a lot of fun in the music. That's really the common thread. There's just that vibe that emerges when good musicians play their hearts out. Nothing else really matters as far as I'm concerned...I think anyone who likes any of these artists will really dig what they did on this record."
Buy at Amazon.com
Big Neighborhood (RS) / Big Neignborhood (MU)

Tuesday, September 8, 2009

Terri Lyne Carrington - More To Say (2009)


Though Massachusetts-based drummer and composer Terri Lyne Carrington is best known for her work with Herbie Hancock, she has released several fine albums as a leader. MORE TO SAY is a smooth but not superficial collection of tunes touching on various jazz periods, R&B, pop, and Latin forms. Guests include George Duke and Patrice Rushen.