Jeff Lorber's label debut on Samson Records is a typical jazz fusion effort that will sound familiar to fans of his band of the 1970s and '80s, the Jeff Lorber Fusion. Teaming with co-writer/producer/arranger Steve Dubin, Lorber constructs a series of upbeat rhythm tracks over which he plays melodically on either acoustic piano or Fender Rhodes electric. He is joined on nearly every track by a guest saxophonist and/or guitarist. Tenor saxophonist Gerald Albright sits in on "Snakebite," "Keep That Same Ol' Feelin'," and "Kickin' It" (with guitarist Stuart Wylen); soprano saxophonist Dave Koz on "Happy Endings" (with guitarist Michael Landau) and "The Bijou"; tenor saxophonist Steve Cole on "Chopsticks"; soprano saxophonist Gary Meek on "Reflections" (with Wylen) and "What It Is"; and tenor saxophonist Richard Elliot on "The 'In' Crowd." Lorber cedes considerable space to his guests, but he still finds room for his own improvisations. He also brings in a horn section on several cuts, notably "Keep That Same Ol' Feelin'," which sounds enough like a lost Steely Dan track that you keep expecting Donald Fagen to start singing on instead of Siedah Garrett, who intones the repeated lines "Keep on/Keep that same ol' feelin'." "Ain't Nobody" is the 1983 Rufus and Chaka Khan hit, here rendered with an appropriately funky feel, and "The 'In' Crowd" is, of course, the 1965 Ramsey Lewis Trio hit, a nod to an obvious predecessor of Lorber's. The keyboardist slows the pace for "Reflections," but most of these tracks are lively pieces with lots of interplay that is only ended when they fade out.-- All Music Guide
Showing posts with label Dave Koz. Show all posts
Showing posts with label Dave Koz. Show all posts
Wednesday, November 25, 2009
Sunday, October 11, 2009
Various Artists: To Grover with Love (2002)
Arguably, only David Sanborn has had as much influence on the current crop of smooth-jazz sax stars as Grover Washington Jr., and on this tribute album, we get ample proof of Washington's impact. It's a testament to his talent that Gerald Albright, Dave Koz, and Everette Harp, playing three different horns--alto, soprano, and tenor, respectively--all sound exactly like the G-Man. His sway over the three younger players is so dominant on many of their own recordings, particularly Albright's, that the licks that are nods to Washington are indistinguishable from the originals. All of the instrumental tracks on this 14-song set play like Grover Washington Jr.'s greatest hits, with outstanding arrangements by the producer, keyboardist Jason Miles. On a couple of numbers, the arrangements are stronger than the performances. Tracks that work best are Regina Belle, Steve Cole, and George Duke doing "Just the Two of Us"; Herbie Mann working out on "Mister Magic"; and the Brecker Brothers teaming up with Joe Sample and Joey DeFrancesco on "Loran's Dance." Ronnie Laws and Richard Elliot, two players not influenced by Washington, also offer interesting performances. --Mark Ruffin
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